Lets consider 10-6. As I mentioned we are looking at clubshaft control only so we want to look at the plane as if the shaft is laying flat and resting on said plane. Recall the movie screen analogy with a hole cut into the center? This is what Homer did with his visquene plane.
Please note each plane and its pic reference.
10-6-A is no more than tilting the whole screen whereby the elbow makes contact.
10-6-B is no more than the screen tilted whereby it bisects the armpit area. The Turned part is this is where the right shoulder is going to be "turned" to which Homer gives a requirement of a Flat Backstroke Shoulder Turn. Here is a very big key. The hands are precisely at right shoulder level at the top.
I hope your seeing this ok.
What then happens is that the Squared is slightly higher and Turning is even slightly more higher. Note that the right shoulder is still striving to get on the selected plane on the backstroke. What has changed is the steepness of said stroke. Each one then gives a different feel with Hinges and much more. This also requires, when one uses a steeper plane, a change in ball position. Steeper is always more forward towards the low point.
In closing, you can almost lay the flat surface of the plane/screen on the shoulders for Turning Shoulder Plane.
Hope this helps some more. This could be delved into so deep we would need a 3-day Bash just on plane and its associated differences in feels and motions. Forums will fail everytime in this type of talk. Sorry.
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